Multilingual
Subtitles
Our process
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01
Audio Transcription
Accurate transcription of the original dialogue.
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02
Translation
If the subtitle to be synchronized is in a different language.
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03
Adaptation
Synthesis and processing for reading times.
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04
Synchronization
Millimeter alignment with the video and scene cuts.
The art of Adaptation
Adaptation for hearing audiences (subtitling in any language on any audio track) differs substantially from that for the deaf. In addition to a shorter duration of subtitles on screen, there is also less focus on absolute syntactic simplicity; however, the tendency to transform every subtitle into a meaningful sentence and to limit "chains" of subordinate clauses remains a common and fundamental rule.
Logically, in standard adaptation, all those attentions directed at sound details that the deaf person cannot perceive will be missing, such as the names of the character speaking off-camera, guide colors to identify the speaker, musical indications, or ambient noises.
Translating the informality of spontaneous speech into the completeness of written code is a delicate task. It requires the ability to integrate, interpret, and, in some cases, correct the text from improper forms that — although they provide characterizing information in speech — can result in prejudice to rapid visual comprehension.
Respect for Auteur Cinema
The author identifies a quality, meaning a series of characteristics that make it unique and recognizable. In essence, everything that makes a film a film: writing, directing, editing, locations, characters, atmospheres, up to including strictly linguistic aspects, from general style to vocabulary.
The author's imprint is such that it itself becomes the primary object of communication. Alongside the need for readability, there is, with equal evidence, respect for the specificity of the work.
"In adapting auteur films, we try to preserve the structure, quality, and vocabulary of the original dialogues, without, on the other hand, ever giving up on perfect readability."
Studio Calabria